20
August
The Model, Sligo
Free event →

aemi & The Model present: In the long now

20 August 2022 / / The Model, Sligo
In-person film installation in Sligo showing until 25 September, free entry

aemi’s 2022 Tour ‘In the long now’ kicks off as an in-person film installation at The Model in Sligo – free entry

Showing at The Model  between Saturday 20th August and Sunday 25th September, ‘In the long now’ is aemi’s new 2022 touring programme. All are welcome to come and see the film installation for free in Sligo.

The programme features recent moving image works by three Irish artists – Eavan Aiken, Sandy Kennedy and Patrick Hough – and three international titles by Jeamin Cha, Alee Peoples and Sylvia Schedelbauer.

‘In the long now’ explores ideas relating to love, liveness, mortality, and the act or technological process of seeing beyond the limits set by our physical abilities.

Film info
Alee Peoples, Standing Forward Full, 2020, USA, 5 minutes 38 seconds
Eavan Aiken, White Hole, 2021, Ireland, 13 minutes
Jeamin Cha, Ellie’s Eye, 2020, Korea/ USA, 11 minutes
Sandy Kennedy, The Incorporeal Body of a Shadow Soul, 2021, Ireland, 12 minutes
Sylvia Schedelbauer, Labor of Love, 2020, Germany, 12 minutes
Patrick Hough, The Black River of Herself, 2020, Ireland/ UK, 27 minutes
Running time 82 minutes

Alee Peoples, Standing Forward Full
A helter skelter is an amusement ride with a spiral slide built around a tower. Like this film, an exorcism attempt of an unrequited desire, itʼs either moving too fast or at a complete standstill. Disorienting but exciting.

Eavan Aiken, White Hole
Human and animal kin are instrumentalised; units of production, their substrate exhausted. Can we conceive a future where technology serves all and look forward with Promethean vigour?
White Hole spirals through space and time, seeking the ideal moment for opportunity.

Jeamin Cha, Ellie’s Eye
Ellie’s Eye is an essay video comprising found and original footage. This film interrogates how future societies and technologies can approach psychological issues of different individuals, and whether we are objectifying the human psyche itself.

Sandy Kennedy, The Incorporeal Body of a Shadow Soul
Based on memories and experiences of innocent women harmed by patriarchal ideologies in Irish culture, The Incorporeal Body of a Shadow Soul is a film poem, imagining the half life of a soul unable to escape the time and place of her wounding.

Sylvia Schedelbauer, Labor of Love
An expanding feeling, unfolding new inflections — forever different, forever changing.

Patrick Hough, The Black River of Herself
When an archaeologist is sent to excavate the remains of an Iron Age bog body, he finds the unexpected. The bog body has awakened to deliver him a stark warning; he must confront the impending storm of ecological collapse or face unfathomable disaster.

Essay by Gwen Burlington
The programme is accompanied by a new commissioned text by Gwen Burlington which looks closely at what each film means in relation to life and death cycles – from more human-centric experiences to the impacts of climate change on the planet across space and time.

Download the essay:
Gwen Burlington, ‘In the long now’ aemi Tour 2022 (Word doc)
Gwen Burlington, ‘In the long now’ aemi Tour 2022 (PDF)

Logo for The Model featuring a graphic drawing of the building

We are beyond excited to present ‘In the long now’ over the next few months in collaboration with all of our host partners across Ireland and beyond, check here for updates and upcoming date on aemi’s 2022 Tour ‘In the long now’


Images:

Psychedelic image of a butterfly amid illuminous pink, orange, red, blue and purple colours

Sylvia Schedelbauer, Labor of Love, 2020, Germany, image courtesy of the artist

A close-up of a person's foot on their tippie-toes wearing white ballet shoes

Alee Peoples, Standing Forward Full, 2020, image courtesy of the artist

A dark image of part of a person's body lying in a black space

Sandy Kennedy, The Incorporeal Body of a Shadow Soul, 2021, image courtesy of the artist

Landscape scene of the sky, the sea, and low hanging clouds lying over fields

Eavan Aiken, White Hole, 2021, image courtesy of the artist

A large dog sitting on a vet's table surrounded by animal cages, veterinary instruments and medicines

Jeamin Cha, Ellie's Eye, 2020, image courtesy of the artist

Patrick Hough, The Black River of Herself, image courtesy of the artist and FVU

Patrick Hough, The Black River of Herself, image courtesy of the artist and FVU