All Events

maɬni – towards the ocean, towards the shore by Sky Hopinka

12 December 2023 / IFI Dublin

aemi @ CIFF: aemi Artist in Focus: Kevin Jerome Everson

19 November 2023 / Triskel Arts Centre

aemi @ CIFF: Spirit Messages

19 November 2023 / Triskel Arts Centre

Still from Approx 1 Second of a Sweet Kiss (2023) by Lisa Freeman. Image courtesy of the artist.

aemi @ CIFF: aemi Experimental Shorts: A Moment Between

18 November 2023 / Sirius Arts Centre

aemi @ CIFF: Kevin Jerome Everson Masterclass

18 November 2023 / Sirius Arts Centre

Close up of daylight shining on the face of a white horse, highlighting the horse's brown eye and the detail of the horse's hair. Blue skies are in the background.

aemi @ Belfast Film Festival 2023: SÚITÚ

11 November 2023 / The Black Box - Main Room 18-22 Hill Street Belfast BT1 2LA

This is a still from the film 'Contorno/ Contour' (2021) by Fábio Andrade. The image depicts an old stone wall that is predominantly in shades of grey, with various hues and textures. At the bottom of the wall, there is an abundance of green moss and a few small plants that cover most of its surface. In the middle of the image, there is a line of white snail shells resting on the mossy area at the base of the wall, positioned in a slightly alternating pattern from left to right. Above the shells, the wall continues towards the top of the image, with smaller patches of moss in some areas.

aemi & Mermaid Arts Centre present: Súitú

14 October 2023 / Mermaid Arts Centre, Bray

In-person film installation in Bray, Co. Wicklow, showing until 2 December, free entry
​​This is a still from the film 'A Human Certainty' (2021) by Morgan Quaintance. The image shows the cover of the book 'Naked City' (1945) by photographer and photojournalist Weegee. On the right-hand side of the frame, we can see the words 'Naked City' in large black text on a white background. On the left-hand side of the frame, there is a black and white photograph of lightning hitting a tower on a New York City skyline at night. A hand can be seen partially on the left side of the frame, with the thumb, index finger, and part of the middle finger visible and touching the photograph.

aemi & Filmform present: Súitú

6 October 2023 / Filmform, Stockholm

This is a still from the film ‘Hook, Spill, Cry Your Eyes Out’ (2020) by Irish filmmaker Lisa Freeman. The image depicts a solid neon green colour, with a blurred blue shape visible on the left side. On the right side, a digital letter W in a lighter shade of neon green appears to be floating, casting a shadow below itself.

aemi & South Tipperary Arts Centre present: Súitú

6 October 2023 / South Tipperary Arts Centre, Clonmel

Close up of daylight shining on the face of a white horse, highlighting the horse's brown eye and the detail of the horse's hair. Blue skies are in the background.

aemi & Galleri Format present: Súitú

4 October 2023 / Galleri Format, Malmö

This is a still from the film ‘Making Dust’ by Irish filmmaker Fiona Hallinan. The image depicts a portion of the demolished ‘Church of the Annunciation’ in Finglas, Co. Dublin. A metal frame and fragments of grey brick wall support the remaining structure. The centre of the image features large stained glass windows with metal dividers. The stained glass is brightly coloured and comprised of small abstract panels in shades of blue, pink, yellow, green, red, and brown. The sky in the background is a light grey colour.

aemi & IFI Documentary Festival Present: Making Dust

1 October 2023 / Irish Film Institute

This is a still from the film 'Cette maison (This House)' by Haitian-Canadian director Miryam Charles. In the image, a person with dark skin tone is seated in a room filled with green plants and colourful flowers in shades of pink, purple, orange, and white. Their hair is braided and secured at the ends with cream and brown beads. They are dressed in a pale purple t-shirt and seated at a diagonal angle to the camera. Their gaze is directed at a person just outside the frame, with only their left hand visible. With both hands outstretched, they are handing a bunch of white flowers to the unseen individual.

aemi & IFI present: Cette maison (This House)

20 September 2023 / Irish Film Institute

This is a still from Sofia Theodore-Pierce's short film 'Other Tidal Effects' (2021), featuring handwritten materials on overlapping cyanotype treated postcards. In the top half, a pink transparent plastic sheet with water droplets is placed over spidery handwriting. To the top left of the frame, there is a ceramic snake placed on light green and blue paper. On the bottom left-hand side of the frame, there is a transparent red plastic sheet with water droplets. It sits on small pieces of dried seaweed, as well as partially visible handwriting and a pale yellow tinted postcard with a stamp. A snail poking its head out of its shell is also visible crawling on top of the postcard, left of centre. On the bottom right-hand side of the frame, there is a dark green transparent plastic sheet that partially overlaps some of the materials on the bottom left. Beneath everything, there is a mottled blue sheet of paper, which is visible in the top left corner and bottom right of the frame.

aemi & Filmhuis Cavia present: Súitú

15 September 2023 / Filmhuis Cavia, Amsterdam

This is a still from the film 'Contorno/ Contour' (2021) by Fábio Andrade. The image depicts an old stone wall that is predominantly in shades of grey, with various hues and textures. At the bottom of the wall, there is an abundance of green moss and a few small plants that cover most of its surface. In the middle of the image, there is a line of white snail shells resting on the mossy area at the base of the wall, positioned in a slightly alternating pattern from left to right. Above the shells, the wall continues towards the top of the image, with smaller patches of moss in some areas.

aemi & WORM present: Súitú

13 September 2023 / WORM, Rotterdam

The image is the title of the exhibition “Long time we’ve been working” and its opening dates 8th Sept - 11th Nov. The text is in black on a white background with a grid and yellow accent elements. The serif font of the text is adapted with abstract shapes and images drawn from the films in the exhibition including a figure’s shadow, a flower and a flowing paper ribbon.

Project Arts Centre, Cinenova, and aemi present: Long time we’ve been working / Tamall fada atá muid ag obair

8 September 2023 / Project Arts Centre

This is a video still from The Cesspool of Rapture, 2017, by artist Joseph Noonan-Ganley. The image shows a section of a dress created by English-American fashion designer Charles James (1906-1978). It reveals the waistline area of the dress, with a back seam connecting the bodice and skirt. The entire frame is filled with the brown dress. On the left side, folded material extends from the bodice seam to form the skirt, while the right side displays a silk-like section of the bodice with a back zipper.

AEMI & GAZE present: Lucid Notions

6 August 2023 / Irish Film Institute

This image is a still from the work-in-progress film 'May the Hills and the Heights Have You' by Susan Hughes. It features a close-up shot of a wet rocky area with daylight highlighting sections of the rock. The rock is coloured in various tones of grey and black, and the right section of the frame is out of focus.

aemi Rough Cut session – July 2023

27 July 2023 / Online

This is a still from the film 'Contorno/ Contour' (2021) by Fábio Andrade. The image depicts an old stone wall that is predominantly in shades of grey, with various hues and textures. At the bottom of the wall, there is an abundance of green moss and a few small plants that cover most of its surface. In the middle of the image, there is a line of white snail shells resting on the mossy area at the base of the wall, positioned in a slightly alternating pattern from left to right. Above the shells, the wall continues towards the top of the image, with smaller patches of moss in some areas.

‘Súitú’ at Black Hole Studio, Roscommon

26 July 2023 / Black Hole Studio, Roscommon

This is a still from the short film 'Cabbage' (2023) by Irish filmmaker Holly Márie Parnell. This image features a side angle view of a man's face with light skin and brown hair in a lightly shadowed space. A bright spot of daylight illuminates his left eye, and we can also see part of his cheek and nose in the frame in the light shadow as he looks upwards. The background displays out-of-focus green foliage and dappled light.

aemi & The Model present: Súitú

15 July 2023 / The Model, Sligo

In-person film installation in Sligo showing until 8 September, free entry
This is a still from Sofia Theodore-Pierce's short film 'Other Tidal Effects' (2021), featuring handwritten materials on overlapping cyanotype treated postcards. In the top half, a pink transparent plastic sheet with water droplets is placed over spidery handwriting. To the top left of the frame, there is a ceramic snake placed on light green and blue paper. On the bottom left-hand side of the frame, there is a transparent red plastic sheet with water droplets. It sits on small pieces of dried seaweed, as well as partially visible handwriting and a pale yellow tinted postcard with a stamp. A snail poking its head out of its shell is also visible crawling on top of the postcard, left of centre. On the bottom right-hand side of the frame, there is a dark green transparent plastic sheet that partially overlaps some of the materials on the bottom left. Beneath everything, there is a mottled blue sheet of paper, which is visible in the top left corner and bottom right of the frame.

aemi & IFI Present: Súitú

29 June 2023 / Irish Film Institute, Dublin

This is a still from the film 'Music for Solo Performer'(2022) by Jenny Brady. The image consists of two overlayed pictures, set against a large black background. In the front image, there is a woman undergoing EEG analysis. She is lying sideways on a white pillow, wearing a blue top. The woman has dark hair, light skin, and her eyes are closed. Various attachments secured with tape can be seen across her chin, temples, and forehead, with wires coming out of them. To the right of the frame, there is a cream-coloured wall, while to the left of the frame, there is a black area behind her. In the underlay image, there is another section of the same type of wall, displaying large red EEG analysis waves across its centre. At the bottom right corner of the frame, there is partially visible text in large black print that reads "EEG", with a dark area above it. The overall image has a vintage quality and colouring.

aemi & Docs Ireland present: Voice Recognition

25 June 2023 / Queen’s Film Theatre, Belfast

This is a description of a painting titled Pintura En Askeaton, created by Argentinian artist Magdalena Jitrik in 2009. The artwork is an abstract composition that features a dynamic interplay of shapes and colours. Slanted rectangles dominate the painting, overlapping and intersecting with each other. The centre of the painting features a large trapezoid with a red circle inside, which enhances the artwork's sense of movement and energy. The colours used in the painting are bold and vibrant, with a range of blues, greens, reds, and yellows.

aemi & IFI present: The Sun Gives Without Asking, curated by Sean Lynch

19 April 2023 / Irish Film Institute, Dublin

This image is a still from the short film 'A Moment Twice Lived' by Irish filmmaker Martin Healy. The image depicts an elderly woman seated with her side to the camera, gazing at a painting. She wears a beige mack jacket, a beige scarf, and has her grey hair tied in a bun. In the background, there is a red antique chair wooden bookcase and wooden window shutters. The painting has a golden, antique-style frame with flowers, and appears to show the silhouette of a person standing against a fiery background, although it is unclear due to the angle. The woman appears to be deeply absorbed in the painting.

EAFFI 2023: Far Away Eyes & A Moment Twice Lived

2 April 2023 / Irish Film Institute, Dublin

This is a still from ‘Daisy: Queer Prophet of the Apocalypse’, a work-in-progress film by artist and filmmaker Venus Patel. The scene is set at dusk on a sandy beach, where a person is shown on their hands and knees, facing sideways towards a low pool of water. They are dressed in a bright blue skirt, and on their head, there is a large rectangular cardboard box painted with a crocodile head. The box is adorned with long green and blue streamers, and their image is reflected in the still water. In the background, we see a townscape and low hills under a cloudy grey sky, with the sun breaking through the clouds in the distance.

aemi Rough Cut session – March 2023

20 March 2023 / Studio 6, Temple Bar Gallery + Studios

A Black woman sits in a medical chair looking at a person coming towards her. A spot of light shines on her mouth.

aemi & Irish Film Institute: Kevin Jerome Everson

9 March 2023 / Irish Film Institute, Dublin

Black and white image of Cheryl Dunye, a Black person standing in front of a wall. Cheryl is wearing a long buttoned-up coat, with a white shirt collar showing, a hairband, and glasses. To the left of Cheryl is large black text in all capitals which reads THE EARLY WORKS OF CHERYL DUNYE.

aemi & Project Arts Centre present: The Early Works of Cheryl Dunye, selected and presented by Renèe Helèna Browne

4 February 2023 / The Cube, Project Arts Centre, Dublin

In-person screening programme + introduction by Renèe Helèna Browne
White text on a solid coral red background reads: Arts Council Film Funding Clinic & Career Interview with film artist Tadhg O’Sullivan, hosted by AEMI

Arts Council Film Funding Clinic & Career Interview with film artist Tadhg O’Sullivan, hosted by AEMI

20 January 2023 / Goethe-Institut, Dublin

Free in-person film funding information clinic
Richly vivid blue, green and purple colours blend into lush shapes evocative of natural forms

aemi Rough Cut session – November 2022

30 November 2022 / Online Event

Headshot of artist filmmaker Venus Patel. Venus is a trans femme of colour, she is smiling to the camera and is wearing pink hair, heart shaped earrings and a woolen dress in pastel colours.

aemi & Mayo County Council: Focus on Artist Film with Venus Patel

28 November 2022 / Online Event

Free online event for film artists based in Mayo
An ancient bog body is being scanned by a machine

aemi & Irish Film London present: In the long now

20 November 2022 / The Garden Cinema, Covent Garden, London

Cinema event in London with in-person programme introduction by aemi Co-Director Daniel Fitzpatrick and filmmaker Patrick Hough
This is a still from the film '2 Channel Land' (2022) by Frank Sweeney. A person with strawberry blonde hair walks along an empty road that marks the border between two areas in Northern Ireland. The road's surface shifts from one shade of grey to another, clearly indicating the presence of a border line. It is a country lane is flanked by tall green bushes and trees on either side. The camera is positioned behind them, and there is a cloudy, grey-blue sky ahead. They are dressed in a white Stetson hat, sky-blue trousers, and an embellished sky-blue jacket with blue fringe on the sleeves. The jacket features an image of a radio transmitter on the back, surrounded by lightning bolts, a line drawing of the Irish border, clouds, grass, and soil.

aemi @ CIFF: Experimental Shorts 2 ‘Figure Ground Perception’

19 November 2022 / The Gate Cinema, Cork

New programme curated by aemi and including the premiere of aemi & Sirius Film Commission 2022 by Frank Sweeney  + Q&A
Against a glowing warm sunset over a layer of cool clouds in the sky, an observatory hub in a circular shape forms a unique silhouette against the sky

aemi @ CIFF: Rock Bottom Riser – Fern Silva

19 November 2022 / Triskel Cinema, Cork

Irish premiere of Fern Silva's recent feature, followed by post-screening Q&A with the filmmaker Fern Silva
man with animal tattoos wearing a white t-shirt and a baseball cap looks into the lens of his bolex camera while shooting from a height. He's surrounded by green bushes and a stone arch bridge is in the background

aemi @ CIFF: Masterclass with Filmmaker Fern Silva ‘Environment Awareness’

18 November 2022 / Sirius Arts Centre, Cobh

A free masterclass with Fern Silva, aemi’s ‘international artist in focus’ at CIFF
Close up of daylight shining on the face of a white horse, highlighting the horse's brown eye and the detail of the horse's hair. Blue skies are in the background.

aemi @ CIFF: Experimental Shorts 1 ‘Súitú’

17 November 2022 / The Gate Cinema, Cork

World premiere cinema event of aemi’s 2023 Tour + post-screening Q&A with the filmmakers

Two large snakes are entangled on a double bed

aemi @ CIFF: Exhibition by Fern Silva ‘Wayward Fronds’

11 November 2022 / Sample Studios at Lord Mayor’s Pavilion, Fitzgerald Park, Cork

Free exhibition of work by Fern Silva, aemi's Artist-in-Focus at CIFF 2022, running for the duration of the festival
A male archaeologist with light skin kneels at his tripod and tools onsite during a dig in the bog

aemi & Galleri Format present: In the long now

28 October 2022 / Galleri Format, Malmö, Sweden

Film installation at Galleri Format between 28th October - 6th November + Q&A with Patrick Hough (Director of The Black River of Herself) and aemi Co-Director Daniel Fitzpatrick
A psychedelic, energetic image of rich yellow colour forming line against the background a fiery ball in bright pink, purple and orange colours

aemi & Garter Lane present: In the long now

19 October 2022 / Garter Lane Arts Centre, Waterford

Cinema event in Waterford with in-person programme introduction by aemi Co-Director Daniel Fitzpatrick
Still from video of a performance on a stony beach. Four young adults with light skin wear a mix of dark and bright clothing, including: a red sparkly jacket, lime green khaki pants, a yellow and a green Hawaii shirt under a casual black zipper with a green stripe down the sleeve that repeats the ASICS logo. The three people in the centre of the image are on a protruding rectangle of concrete. They have concentrated looks on their faces, and their bodies mirror each other while they hunch down to hold a "run on the spot" position. The person on the right hand side has purple hair and is playing the saxophone. Behind them the sea is grey and the sky is totally overcast.

Lisa Freeman, Slipped, Fell and Smacked My Face off The Dance Floor screening on ‘aemi online’

19 October 2022 / Online

Screening for free on 'aemi online' until January 2023, available worldwide
White Hole, Eavan Aiken, image courtesy of the artist

aemi & Pálás present: In the long now

11 October 2022 / Pálás Cinema, Galway

Cinema event in Galway with in-person programme introduction by aemi Co-Director Alice Butler
A still from an analogue video of a child jumping on a beach. The child is wearing a tshirt and shorts and their image is doubled so they appear twice in repetition

aemi @ GAZE: Making & Unmaking

2 October 2022 / Light House Cinema, Dublin

In-person screening and Q&A with aemi, and Marcus Gambrill (Director of Masc.ing, Ireland), and Ryan Harman & Craig Hunter (Directors of FORT, USA)
A dark close-up image of a person's hands loosely clasping each other

aemi & VISUAL present: In the long now

23 September 2022 / VISUAL Centre for Contemporary Art, Carlow

Film installation at VISUAL's Digital Gallery, running until 8th January 2023
An organge can of a fizzy drink called Crush on the ground beside a person's foot wearing a grubby white running shoe

aemi & Filmhuis Cavia present: In the long now

16 September 2022 / Filmhuis Cavia, Amsterdam, the Netherlands

In-person cinema event in Amsterdam, Q&A with aemi Co-Director Daniel Fitzpatrick and programme artists Eavan Aiken and Sandy Kennedy
Extreme close-up of a dog's eye, the dog has a nervousness about it

aemi & WORM present: In the long now

14 September 2022 / WORM, Rotterdam, the Netherlands

In-person cinema event in Rotterdam, Q&A with Tim Leyendekker, aemi Co-Director Alice Butler and programme artists Eavan Aiken and Sandy Kennedy
Colourful animation of a packed theatre with a waterfall and sky bursting with colour on-stagen

aemi & IFI present: ‘Nostril Thinking’ Experimental Animation selected by Orla Mc Hardy

7 September 2022 / Irish Film Institute

FULLY BOOKED Cinema screening + Q&A with the artist and specially made zine
Psychedelic image of a butterfly amid illuminous pink, orange, red, blue and purple colours

aemi & The Model present: In the long now

20 August 2022 / The Model, Sligo

In-person film installation in Sligo showing until 25 September, free entry
A blurry motion shot of two hands holding up a small black dog up against a white wall. The dog's legs and ears are splayed out.

Anita Delaney, Well screening on ‘aemi online’

27 July 2022 / aemi online

Screening for free on 'aemi online' until 18 October, available to international audiences with closed captions

aemi & ANNEX present: Framing Entanglement

11 July 2022 / Pálás Cinema, Galway

Free in-person cinema screening in Galway + Q&A with programme artists Edy Fung, Fiona Marron and Frank Sweeney
A still image from Myrid Carten's film called Sorrow had a baby. A young, white woman with long blonde hair sits in a chair and looks down at the white baby in her arms. The newborn baby is clutching the woman's finger and pulling it toward its open mouth. The woman is wearing a paisley print top in blue and brown colours, and a row of vinyl records is stored behind them.

aemi & Docs Ireland present: Come away, O human Child! Films selected by Myrid Carten

3 July 2022 / Queens Film Theatre, Belfast

In-person cinema screening in Belfast followed by Q+A with Ruairí McCann
A black and white image of a smiling elderly man with pale skin running through a corridor. He is running toward the camera and is wearing a blazer and dark stetson hat.

aemi & Triskel present: Jonas Mekas 100!

24 June 2022 / Triskel Cinema, Cork

In-person screening in Cork as part of Jonas Mekas Centennial Programme
A still image from Eva Richardson McCrea’s digital video artwork called Rope from 2022. The footage is shot inside a dilapidated room. A dark dado rail runs around the middle of the walls, which are pink below the dado rail and white above it. Water damage and dark mould severely affect the walls and the floor. In the centre of the sparse room, three men, all with light skin, balding hairlines and wearing smart casual clothing, sit around a black, rectangular table. The men are conversing with one another and they each eat takeaway food straight out of its disposable container. A bottle of champagne and glass tumblers are also on the table.

aemi & Project Arts Centre present: Artist Talk and Screening with Eva George Richardson McCrea

2 June 2022 / Project Arts Centre, Dublin (Gallery)

In-person screening and artist talk in Dublin
A still image from a video artwork by Michelle Hall. The image is a close-up of hundreds of candle tealights. The crumpled metal casings of the tealights shows that the candles have already been burned. A light purple colour is used as a filter over the whole image.

aemi Rough Cut session – May 2022

25 May 2022 / Online Event

A still image from Tessa Hughes Freeland’s black and white film Baby Doll from 1982. Two young, slim women with voluminous hair are dancing together beside a floor-to-ceiling mirror. One woman has blonde, shoulder-length, wavy hair and wears a light slip dress. She is smiling and extends one arm back above her head while gleefully stepping forward with the opposite leg. The second woman has shorter, black curly hair, she is leaning forward and is moving her shoulders and arms rhythmically. She is wearing a black knee-length skirt, a black bra top that shows her cleavage, and black high heel sandals. Strings of white pearls are wrapped around her neck and one ankle

aemi, IFI and TBG+S present ‘DIY, DISINTEGRATION & HYSTERIA: Punk and Feminist Cinema of the 1970s & 80s’ Curated by Rachel Garfield

17 May 2022 / Irish Film Institute, Dublin

FULLY BOOKED Cinema screening and introduction by Rachel Garfield at IFI, followed by a conversation at TBG&S
A still image from Bassam Al-Sabah’s CGI video artwork called Dissolving beyond the worm moon from 2019. In the centre of the image stands a life-size male figure. He is wearing a red, yellow and black cartoon-style tightly fitting suit complete with facial visor, chest plate, arm armour, a diamond shaped belt, and boots. His feet are apart and his back is arched as he looks upwards. He is standing on a grassy area in the middle of various varieties of trees and bushes. Shadows stretch across the image to reach the figure. The image is completely digitally rendered and is extremely detailed, with individual leaves reflecting sunlight and brown twigs lying amongst the blades of grass.

Bassam Al-Sabah, Dissolving beyond the worm moon

4 May 2022 / aemi online

Screening for free on 'aemi online' until 26 July, available worldwide

Building a Practice in Artist Film: session for graduating students/ emerging artists

27 April 2022 / Online Event

Presentations between 10am and 1pm
This free, online event is designed for graduating students and early career artists interested in working with artist film
A turtle is pictured in an interior room. The turtle is on the beige carpet. Behind it is a retro light brown leather three-seater sofa, a coffee table made from a wooden tabletop and metal legs, and a green bowl on the table.

aemi & Project Arts Centre present: Clear Away the Rubble / Glan an Spallaí ar Shiúl screening programme

21 April 2022 / Project Arts Centre, Dublin

Free film presentation running until 14 May

Zheng Lu Xinyuan, Jet Lag at East Asia Film Festival Ireland

3 April 2022 / Irish Film Institute

In-person cinema screening with introduction by aemi
Text in retro lilac and orange lettering reads: The Revivalist. The text is laid over the image of the face of a woman wearing red lipstick. The woman holds a theatrical facial expression. She is wearing purple gloves and uses her hands animatedly.

aemi Rough Cut session – March 2022

24 March 2022 / Online Event

A low concrete wall spans from the rocky sea shore down into the blue sea. Four men working together are standing in a group. They are looking over and beyond the wall, and are filming using two different professional cameras and audio equipment

Fergus Daly, The Mirror of Possible Worlds

16 February 2022 / aemi online

Screening until 3 May 2022, screening online free and worldwide

Opportunities for Film Artists: Funding and Access

21 January 2022 / Online

Presentations between 10am and 12:30pm
This online event is free and will include live captions

aemi & IFI present: So, what did you do today? Films selected by Isabel Nolan

12 January 2022 / Irish Film Institute, Dublin

In-person cinema screening

aemi Rough Cut session – December 2021

6 December 2021 / Online Event

aemi presents: ‘Profit & Loss’ 4Ever Chemical by Sibyl Montague

20 November 2021 / Project Arts Centre, Dublin

In-person video collage installation

aemi @ CIFF: Artist in Focus – Lynne Sachs

16 November 2021 / Online

Online programme 16 - 18 November

aemi @ CIFF: Contested Legacies – Lynne Sachs and Myrid Carten

10 November 2021 / Triskel Arts Centre Cinema

8pm Cinema screening and Q&A with both artists

Jaki Irvine, Star and Sweettooth

10 November 2021 / aemi online

Screening until 8 February 2022, screening online free and worldwide

aemi @ CIFF: In the long now, Tour 2022 world premiere

9 November 2021 / Triskel Arts Centre Cinema, Cork

Cinema screening & Q&A

aemi @ CIFF: Workshop with Lynne Sachs

9 November 2021 / Lecture Theatre, Crawford Art Gallery, Emmett Place, Cork

Day Residue: A Film-Making Workshop on the Every Day, in-person workshop in Cork

aemi & Pálás Cinema: Signals & Circuits

20 October 2021 / Pálás Cinema, Galway

Cinema screening event & introduction

aemi & Garter Lane Arts Centre: Signals & Circuits

13 October 2021 / Garter Lane Arts Centre, Waterford

In-person screening event & introduction

Jenny Brady, ​Receiver,​ 2019, 14:36 min, Ireland

Artist Breakfast Club, ‘Signals & Circuits’

6 October 2021 / The Model

Online event, free

aemi @ GAZE: Acts of Revelation

1 October 2021 / IFI@Home

Programme tickets available until Sunday 3 October

aemi & IFI: Free From Near or Far, selected by Pat Murphy

15 September 2021 / Irish Film Institute, Dublin

In-person screening and introduction

NCAD Graduate Showcase 2021

1 September 2021 / aemi online

A rolling programme with a new film screening every two weeks until 9 November, available to watch free worldwide

aemi @ Docs Ireland: The Films of Kino Rebelde

29 August 2021 / Ulster Museum, Belfast

In-person screening and introduction

aemi Ulster University Graduate Awards

25 August 2021 / Online screening

Films by the two BA and MFA awardees screening here until 31 October

aemi & TEST SITE: Architectural Heritage – Film Screening

14 August 2021 / TEST SITE, Kyrl's Quay, Cork

In-person screening

Michelle Doyle, Eva Richardson-McCrea & Coilin O'Connell with Jenn Moore, Yoga For The Eyes, 2018

aemi & The Model: Signals & Circuits

12 August 2021 / The Model, Sligo

In-person film installation 12 August - 10 October 2021

‘To be consumed in totality’ watch-along screening + Q&A with aemi, Kevin Gaffney & PhotoIreland

14 July 2021 / Online Event

18:15 Watch-along, 20:00 live Q&A

aemi Rough Cut session – July 2021

13 July 2021 / Online Event

‘To be consumed in totality’ curated by aemi & Kevin Gaffney, PhotoIreland Festival 2021

1 July 2021 / Online

Screening until 31 July, available to watch free worldwide

Niamh O’Malley, Glasshouse

30 June 2021 / aemi online

Screening until 31 August, available to watch free worldwide

Public Conversation: Lens, Digital and Post-Photographic Art – AEMI & NCAD Media Graduates 2021

25 June 2021 / Pavilion at IMMA

In-person live event

Aoibheann Greenan, Dingbox

28 April 2021 / aemi online

Screening until 29 June, available to watch free worldwide
Film Funding Workshop

Funding Opportunities for Film Artists

16 April 2021 / Online Event

Free event, presentations between 10am and 4:30pm
Seize Control of the Taj Mahal – Glenn Belverio (1991, 12 min)

‘2020: A Year in Review (Programme 2)’ Artists’ Q&A with Lynne Sachs, Rhea Storr, Glenn Belverio and Timothy Smith

8 April 2021 / Online Event

Watch-along and live Q&A
Laura Fitzgerald, ​P45​, 2017, 16:10 min, Ireland

‘Signals & Circuits’ screening and Q&A with Laura Fitzgerald, VISUAL Carlow

7 April 2021 / Online Event

Free worldwide screening and Q&A

aemi Rough Cut session – March 2021

31 March 2021 / Online Event

Come Here / Jai jumlong, image courtesy of the director Anocha Suwichakornpong

Come Here / Jai jumlong directed by Anocha Suwichakornpong at EAFFI 2021

28 March 2021 / Online Event / IFI@Home

Available from Sunday 28th March 4:30 PM
SISTERS WITH TRANSISTORS Directed by LISA ROVNER

‘Sisters with Transistors’ with Dublin Feminist Film Festival & IFI@Home

5 March 2021 / Online Event

Screening online March 5th - March 9th 2021

2020: A Year in Review (Programme 2)

19 February 2021 / aemi-on-demand

Online until 18 April 2021
Emily McFarland, Curraghinalt, 2019/2020, HD, Colour, Sound, 26 Minutes

Emily McFarland, Curraghinalt, in partnership with EVA International

10 February 2021 / aemi online

Screening until 27 April 2021, available to watch free worldwide

2020: A Year in Review (Programme 1)

16 December 2020 / aemi-on-demand

Online until 28 February 2021
Jarman Award Touring Programme

The 2020 Film London Jarman Award Touring Programme

14 December 2020 / Online Event

Screening online Monday 14th & Tuesday 15th December 2020
Michelle Doyle, Eva Richardson-McCrea & Coilin O'Connell with Jenn Moore, ​Yoga For The Eyes, ​2018, 24:12, Ireland

aemi & VISUAL Carlow: Signals & Circuits

11 December 2020 / VISUAL Carlow

11 December 2020 - 31 January 2021
Jesse Jones, The Spectre and The Sphere (2008)

aemi & Isolation TV: Jesse Jones ‘We Interrupt This Apocalypse’

10 December 2020 / Online Event

Screening online December 10th 2020 - January 10th 2021

Orla McHardy, Goodnight

9 December 2020 / aemi online

Screening until 9 February 2021, available to watch free worldwide

Revenant Images, curated by Patrick Hough

7 December 2020 / aemi-on-demand

Available until 7 March 2021
Grace Weir, Dust Defying Gravity, 2004

aemi & Docs Ireland: Material legacies

9 November 2020 / Online Event

Screening online November 9th - 13th 2020
John Smith, A State of Grace, 2019

aemi & Cork International Film Festival: Signals & Circuits

9 November 2020 / Online Event

Screening online November 9th - 15th 2020
Bryony Dunne, Killing the Messengers (2020)

Bryony Dunne, Killing the Messengers

4 November 2020 / aemi online

Screening until 8 December, available to watch free worldwide
Margaret Again, installed at IMMA as part of Glen Dimplex exhibition, 1996, IMMA Archive

aemi & IMMA present Archives LIVE: Conservation in Motion

21 October 2020 / Online Event

Patrick Hough - And If In A Thousand Years

ONLINE EVENT: aemi & IFI present REVENANT IMAGES curated by Patrick Hough (IFI@Home)

14 October 2020 / Online Event / IFI@Home

Sibyl Montague, Profit and Loss (2013 - ongoing) I, II, III

Sibyl Montague, Profit and Loss (2013-2016) I, II, III, IV

7 October 2020 / aemi online

Screening until 3 November, available to watch free worldwide
Eva Richardson McCrea and Frank Sweeney - Made Ground

aemi & IMMA present Archives LIVE: Artists Working with Archives

7 October 2020 / Online Event

Afterimages / dir. Karol Radziszewski

aemi & GAZE LGBTQ+ FILM FESTIVAL

3 October 2020 / Lighthouse Cinema

Cancelled due to Covid-19 restrictions
They Through Them

ONLINE EVENT: aemi & GAZE LGBTQ+ FILM FESTIVAL (IFI@Home)

3 October 2020 / IFI@Home

White Hole, Eavan Aiken, image courtesy of the artist

aemi Rough Cut session – September 2020

23 September 2020 / Online Event

Mieke Vanmechelen - Die Vrijheld (That Freedom), 2020

ONLINE EVENT: Culture Night 2020 : Online Discussion and Online Screening Event with m i n k

18 September 2020 / Online Event

Fiona Marron, After Automation (2013)

Fiona Marron, After Automation

2 September 2020 / aemi online

Screening until 6 October, available to watch free worldwide
aemi Rough Cut session – July 2020 - Image courtesy Saoirse Wall

aemi Rough Cut session – July 2020

22 July 2020 / Online Event

Frank Sweeney, All I believe happened there was vision

Frank Sweeney, All I believe happened there was vision

22 July 2020 / aemi online

Screening until 1 September, available to watch free worldwide
Object Interviews Part III

aemi & Cork International Film Festival: ‘Sister’ + ‘Object Interviews Part III’ + Q&A

30 June 2020 / CIFF Film Club

aemi Rough Cut session – June 2020

24 June 2020 / Online Event

Water and Power by Pat O'Neill

Water and Power by Pat O’Neill

19 February 2020 / Irish Film Institute

Symbiopsychotaxiplasm: Take One

4 December 2019 / Irish Film Institute

Image Credit: Matthew A Williams and Alberta Whittle, between a whisper and a cry, 2019. Courtesy of the artist.

No Longer Peripheral

2 November 2019 / Robert Emmet Theatre, Trinity College Dublin

The Scent of Jati Trees, George Clark, Indonesia / UK, 2018

George Clark: Sites & Rites

30 October 2019 / Irish Film Institute

Cladach by Margaret Salmon

Interplay: Margaret Salmon

22 September 2019 / Irish Film Institute

Joseph Bernard intrigues

Prismatic Music: Films by Joseph Bernard & Germaine Dulac

19 June 2019 / Irish Film Institute

TERROR NULLIUS (2018) Digital video, 54 minutes Commissioned by ACMI (Australian Centre for the Moving Image)

TERROR NULLIUS by Soda_Jerk

19 March 2019 / Irish Film Institute

Aisling McCoy, Alice Rekab, Tamsin Snow: Studio Screening Programme at Temple Bar Gallery+Studios

8 February 2019 / Studio 6, Temple Bar Gallery + Studios

Mark Leckey and Cabinet, London Mark Leckey Dream English Kid, 1964 - 1999 AD,2015, 4:3 film, 5.1 surround sound, 23 minutes A Mark Leckey film in association with Film London Artists’ Moving Image Network and Arts Council England

The Memory-Image + Mark Leckey

29 January 2019 / Irish Film Institute

aemi & TBG+S present: Mark Leckey Artist Talk

aemi & TBG+S present: Mark Leckey Artist Talk

29 January 2019 / Studio 6, Temple Bar Gallery+Studios

Still from Report to an Academy, Sarah Browne, 2016

Process | Event: Sarah Browne – Gastromancy

4 December 2018 / Project Arts Centre

Still from Receiver, Jenny Brady, 2018

Process | Event: Jenny Brady – Late Call

20 November 2018 / Project Arts Centre

Tadhg O'Sullivan - Process | Event

Process | Event: Tadhg O’Sullivan – Towards the Moon

10 November 2018 / Project Arts Centre

Dennis McNulty TTOPOLOGY

Process | Event: Dennis McNulty – Configuration Space

30 October 2018 / Project Arts Centre

Still from Luke Fowler's Electro-Pythagoras (a portrait of Martin Bartlett) (2017)

Process | Event: Irish Film Institute

20 October 2018 / Irish Film Institute

In Focus: Tamara Henderson

2 May 2018 / Irish Film Institute

IFI Spotlight - Out of Site: Artists’ Moving Image and The Cinema Space

IFI Spotlight – Out of Site: Artists’ Moving Image and The Cinema Space

27 April 2018 / Irish Film Institute

COMMON VISIONS
curated by Almudena Escobar López & Herb Shellenberger

11 April 2018 / The Guesthouse, Cork

Soft Fiction & And Under That

28 March 2018 / Irish Film Institute / Temple Bar Gallery + Studios

Daybreak Express

Delirious Rhythm, 1936-2017: Films selected by Vivienne Dick

10 October 2017 / Irish Film Institute

William Raban, Thames Film (1986)

port | river | city

17-29 September 2017 / Various locations, Dublin

Out of Body

25 July 2017 / Irish Film Institute

Films by Peggy Ahwesh and Julie Murray

17 June 2017 / Irish Film Institute

‘A History of Women’ (Une Histoire de Femme, 1980)

13 June 2017 / Studio 6, TBG&S

Screening X (curated by Peter Taylor)

27 May 2017 / Irish Film Institute

bruce conner crossroads

‘Eugene Pallette’

26 March 2017 / Irish Film Institute

Independent Frames curated by Herb Shellenberger

23 February 2017 / Irish Film Institute

Dissolutions: Films by Stan Brakhage / Carolee Schneemann

3 February 2017 / The Douglas Hyde Gallery

‘This Is A Painting. This Is Real’: Two Films By Miranda Pennell

29 November 2016 / Irish Film Institute

Theâtre de poche, Aurélien Froment (Photo Aurélien Mole)

462 YEARS OF CINEMATOGRAPHY 1554-2016 by AURÉLIEN FROMENT

15 October 2016 / Irish Film Institute

Spectres by Sven Augustijnen

6 September 2016 / Irish Film Institute

THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS by Ben Rivers

26 July 2016 / Irish Film Institute

Sixty Six + Conversation with Lewis Klahr

28 June 2016 / Irish Film Institute

Discussion with Lewis Klahr at TBG+S

28 June 2016 / Temple Bar Gallery + Studios

Atoosa Pour Hosseini Experimental FIlm Society Clandestine

COLLECTIVISM (PART 3): Films by Experimental Film Society

4 May 2016 / Irish Film Institute

Collectivism Kelly Gallagher

COLLECTIVISM (PART 2)

13 April 2016 / Irish Film Institute

Marylène Negro

COLLECTIVISM (PART 1): X+

23 March 2016 / Irish Film Institute

Anne Charlotte Robertson

aemi Discussion: Ben Cook (LUX) presents a discussion on the works of Anne Charlotte Robertson

20 January 2016 / Temple Bar Gallery + Studios

Anne Charlotte Robertson

Selections from the Five Year Diary – Films by Anne Charlotte Robertson

20 January 2016 / Irish Film Institute

Still from Time & Distance Overcome, Tadhg O'Sullivan, 2018

Process | Event

20 Oct - 4 Dec 2018 / Irish Film Institute + Project Arts Centre

Supporting and Exhibiting Artists' and Experimental Moving Image in association with LUX, the Irish Film Institute and Temple Bar Gallery + Studios. Supported by the Arts Council.

Website by Ciarán Hickey