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Black text on a plain lilac background reads: FUNDING OPPORTUNITY

Upcoming Arts Council funding opportunities – Authored Works, Reel Art, Open Call

Black text on a plain coral red background reads: FUNDING OPPORTUNITY

Upcoming Arts Council funding opportunity – Film Project Award

A still image from Tessa Hughes Freeland’s black and white film Baby Doll from 1982. Two young, slim women with voluminous hair are dancing together beside a floor-to-ceiling mirror. One woman has blonde, shoulder-length, wavy hair and wears a light slip dress. She is smiling and extends one arm back above her head while gleefully stepping forward with the opposite leg. The second woman has shorter, black curly hair, she is leaning forward and is moving her shoulders and arms rhythmically. She is wearing a black knee-length skirt, a black bra top that shows her cleavage, and black high heel sandals. Strings of white pearls are wrapped around her neck and one ankle

Dublin Art Life | Rachel Garfield and the Legacy of Punk Film: the negation of idealised femininity

aemi & SIRIUS Commission 2022: Frank Sweeney – ‘2 Channel Land’

A still image from Louise Hickman and Shannon Finnegan's video artwork called Captioning on Captioning. On a solid white background, black text in capital letters in a handwritten style reads: >> CAPTIONING IS ACCESS WORK

Sarah Hayden’s talk ‘Starting to think about Access and the Moving Image’ available online

Black text on a plain yellow background reads: FUNDING OPPORTUNITY

Upcoming Arts Council funding opportunities – Agility Award, Touring and Dissemination of Work Scheme, ilDÁNA

A still image from George Barber's video artwork called Ansaphone from 1996. The image is a close-up of a person's face with their hand held up to their mouth. Strong light in yellow, pink and orange colours shines on the person. The footage is shot at an angle from above the person's head, causing dark shadows around their eyes.

‘Art, Class and Politics: Explorations through film’, Hugh Lane Gallery screening and Q&A series with aemi Co-Director Alice Butler